Archive Page 3

05
Oct
09

Flash Mobs – A Commercial and Political Activity

You can do something silly, interesting or daring and get attention for it. This is called a stunt, and stunts have been around forever. You’ve probably been involved in some, big or small. Karaoke is a stunt. Evel Knievel jumping Snake River Canyon is a stunt. Doing a track-stand on your fixie at the traffic lights is a stunt. Group dancing in an unexpected place is a stunt.

If a company organizes a stunt the bar is much higher than if a individuals self-organize. In her student days my wife and her dancer friends jumped up on the bar at the Buckaroo tavern and danced to Abba’s Waterloo. If this was a paid activity by Budweiser it wouldn’t be as impressive. [She says the barman couldn’t find Dancing Queen.]

While walking around Chinatown in Seattle a couple of years ago I passed a group of teens dressed in amazing bright-colored costumes, like wearing Halloween fancy dress out of season but with more attention to detail. They looked like cartoon characters. Back at my office I could see them out of the window, so I pointed them out asked a couple of colleagues what was going on. One guy told me they were Cosplayers dressing up as their favorite anime characters, a practice that had been going on in Japan for years.

Heading to Google, I looked up Cosplay and found a video of a flash mob that had Japanese Cosplayers dancing on a street. Halfway through the performance a cop shows up and the dancers run off, scared of falling afoul of Japanese law.

The original article I read is still online but the video has been taken off YouTube. There’s a similar video with the same crew, music and dance but without the “Mob Flees with Arrival of Cop” punchline here:

 

Their choice of music was interesting. This wasn’t a hit single but the dance in the outgoing credits of a TV show. The dancers are honoring the show they saw as kids by dressing up as the characters and dancing the dance in a group in public. As the author of the original article says, “… it took a huge amount of guts for these law-abiding Japanese citizens to decide to do this without permission.”

I watched and I was charmed.

Fast-forward a couple of years and a friend of mine sent out a link to the video of a flashmob she participated in to honor Michael Jackson after his death. As I watched it, the title of the video caught my eye: “OFFICIAL Michael Jackson Tribute Seattle Flash Mob”:

 

 

“OFFICIAL” video? In my naivety I thought there was nothing official about this, that it was a bunch of folks honoring MJ and anyone could record a video. So I looked a little closer. There are multiple cameras filming the event. In the video description it says this is the “Official coverage of Seattle’s Michael Jackson Flash Mob.” They have their own official site. It is the site of an events company. An events company is behind these flash mobs? The charm is going.

 

Commerce

One company with a lot to gain is T-Mobile. The flash mob video with the most hits on YouTube appears to be one of theirs:

 

 

This is an excellent performance in a very public place – a London train station. There are so many dancers that they outnumber the commuters. There are multiple cameras so they can cut the video to make it more exciting. It is for commercial activity, of course, to advertise T-Mobile. This makes great sense because what do people do when they see a stunt like this? They call their friends to tell them about it or take a photo or video with their phone. The advert cuts in shots of people using their phones.

There is an element of deception here. The public in the train station don’t see the T-Mobile connection. They are telling their friends about the awesome crowd dance scene, not about the advertizing stunt. They don’t see that there’s a money connection here.

The ad has been rewarded with fourteen million views.

 

Politics

In my Inbox this morning came my daily Der Spiegel International Newsletter, and with it this article on using flash mobs as a tool for industrial action. Retail workers loaded their shopping carts with as many cheap items as they could fit and then held up the lines at the checkout. Once the totals had been rung up they left their carts there and walked out. The union that organized this claimed that conventional industrial action didn’t work.

If the shopping carts were left by aggrieved shoppers letting off steam it would be a great story. Done by a union it looks like sabotage.

As I think this through I see that a ‘flash mob’ is just an fancy new name for an old activity. French truckers have been blocking freeways with their trucks as a form of industrial action for decades, a flash mob organized over CB radio. The internet might make it easier to organize a crowd and to self-promote with video, but a lot of these are underwritten by commercial or political organizations.

 

Self-Organized Political Activity?

A week or so ago there seems to be a self-organized protest against Angela Merkel. Someone wrote graffiti on a Merkel poster titled The Chancellor is Coming saying Everyone says “Yeaahh”.

merkel

 

As the story goes this photo was posted on flickr, the slogan became popular and a flash mob organized over a few web sites to chant “Yeah” at the end of each Merkel sentence at public rallies. If a political  organization is behind this they’re hiding it well. Because it is self-organized, it is a far more interesting and sympathetic story than the one of the union people jamming checkouts with their shopping carts. (And you can buy the t-shirt).

Now when I see a flash mob I wonder who is behind it and what they hope to gain. Is it sabotage, is it advertising or is it art?

25
Sep
09

I Started Writing for Wobbly.com

I’ve owned wobbly.com for over a decade and done little with it. I’ve been waiting for the right writing project to out on it. I’m going to put my writing about French life and how it differs from our Seattle one. Personal writing and other random junk stays here on brentcu.com.

My goal is to explain the reasoning behind things, the good and the bad. See wobbly’s about page.

22
Sep
09

I Hate Wasting Time

The morning went great, two kids in school, wife on the TGV to Paris, baby at home playing, morning chores done. But once Minty went down for a nap I just slacked. I read a little and wrote a little and spent two hours doing nothing when I could have finished The Contrary Farmer or posted some of the myriad pictures of houses that have been taken in the last few weeks, with accompanying story. Like why we didn’t make an offer on this bourgoise house:

bourgeoise 1

 

So I wasted my afternoon, the precious time when Minty is asleep and I can work uninterrupted. I hate that feeling. I’m now going to do the dishes to make myself feel better.

21
Sep
09

More about Tucker Max Manipulating the Media

Tucker Max is enjoying the stir he is creating. He’s marketing his own movie and needs all the publicity he can get. Each time someone makes a fuss about how offended they are, his movie does better. This is a pattern that has been seen many times before; when someone tries to ban some music, book or movie and it sells more than ever it would have had it been left alone: Lady Chatterly’s Lover, Spycatcher, Baise-Moi, Ice-T’s Cop Killer, Fuck Tha Police.

[Note to self after watching Baise-Moi: Don’t fall for this.]

Here is Tucker’s Delicious comment for today:

"The Tucker Max saga continues to unfold this week as the author of I Hope They Serve Beer in Hell shockingly still can’t catch a break with the promotion of the book’s film adaptation." AHAHHAHAHAHHAHAHAHAHHAHHAH

The link is to this article: Tucker Max’s Expected Response to Chicago Ad Ban: "Bite Me" – mediabistro.com: AgencySpy

Can’t Kiran figure it out? More fuss, more promotion, more money. Tucker believes in the quality of his movieand he needs a way to get his message out there without using the traditional approach of throwing money at old school media. Kiran’s article is promoting the movie, and more than that he is giving Tucker the moral high ground. No wonder Tucker is laughing.

Imagine if there had been no fuss for Tucker’s movie. Would you be as interested in seeing it?

Caveat: I can’t be arsed doing any real research on this; I’m just blogging for my buddies. But you’d think anyone who is trying to be a journalist for real would check out Tucker’s Delicious feed – it is public. Or maybe call him. Or use email.

31
Aug
09

1. Elvis Costello – Oliver’s Army

There was a Checkpoint Charlie, he didn’t crack a smile.
But it’s no laughing party when you’ve been on the Murder Mile.

For some reason we remember the first music our children heard. Clementine was delivered to the sounds of Justin Timberlake. [Jean, how could you? When you grow the baby you get the right to choose the music, but JT?] Otto was born to Salmonella Dub. Lucy, our first child, lay in the hospital crib and listened to an Elvis Costello greatest hits CD that started with Allison.

elvis headphones

There are so many great Elvis Costello songs:

These songs have great melodies and hilarious lyrics like, “They call her Natasha when she looks like Elsie. I don’t want to go to Chelsea.” The videos are awful but Bruce Thomas’s bass lines are wonderful – Pump It Up has one of the best lines ever. But there’s no question as to my favourite song: Oliver’s Army:

 

 

When it plays, I am compelled to sing along. I know the words but I suspect I don’t really know what he’s singing about. As a kid it felt pro-war but on some level I knew it was anti-war. On the surface it appealed to my military-geek boyhood with mention of the world’s trouble spots like Palestine and Johannesburg and boyhood heroes like Winston Churchill and Oliver Cromwell and his Army. Going deeper there’s a sense of belonging to a broader England because he sings of the boys from the Mersey and the Thames and the Tyne.

As I grew older the England connection meant less but I always loved the song. Elvis Costello writes songs that don’t go out of fashion, probably because there has never been an era when he was in fashion. A Design For Life and Berlin Chair are equally good songs, but I’ve been singing along to Oliver’s Army for thirty years so it takes top spot.

Oliver’s Army is another piano-driven song on my Top 40 list; I am haunted by the instrument I never learned to play.

We played the CD so much we wore it out and bought another.

elvis

Next: No more – that’s it! Woo!

Previous: 2. Manic Street Preachers – A Design for Life

27
Aug
09

2. Manic Street Preachers – A Design for Life

Libraries gave us power, then work came and made us free.

The Manic Street Preachers are an interesting band. James Dean Bradfield sings with a sharp and powerful voice; he also plays the lead guitar and writes the music. You’d think he’d be the star, but the Preachers also have Nicky Wire and had Richey Edwards, tall, cute and skinny. Nicky can play bass but can’t sing and Richey couldn’t play rhythm guitar well but they wrote the lyrics and the fangirls loved them.

Richey4Real nicky

Here Richey has carved ‘”4REAL” into his arm with a razor blade and Nicky is wearing a dress with his feather boa on the mic stand. 

I can’t help but learn lyrics to songs. My brain forces me understand them, and the words to MSP songs are a level more interesting that just about anything else I listen to. E.g. from F.A.S.T.E.R.

I am stronger than Mensa, Miller and Mailer, I spat out Plath and Pinter.

That is a change after listening to Lady Gaga go,

Po-po-po-poker face po-po-poker face.

[Although Poker Face is a deliciously robotic song.]

The Preachers are great live. Their concert DVD bringing in the year 2000 at Millennium Stadium is the best concert I’ve seen on TV. They played Cuba and met Castro and filmed that too.

They inspire amazing fandom. There’s a great band bio book by Simon Price, I know it is good because I inhaled it in a couple of days. The fandom is touched by tragedy. Like Lush they lost a member when Richey Edwards went missing in February of 1995 at a place noted for suicides. Unlike Lush they continued on but the band changed character the day Richey went missing.

My favourite album is The Holy Bible, with lots of Richey lyrics. However A Design for Life remains the classic Manic Street Preachers song for me. It is their comeback song after Richie’s death when they are asking themselves whether they should go on with it all or not. The song touches on proletariat power, the function of society and the Nazi death camps (“then work came and made us free”).

James Bradfield finally wrote a song you can yell along to while drinking a pint at the pub. Not only does the verse build up well to a belted chorus, the words of the chorus suit the pub environment:

We don’t talk about love, we only want to get drunk. And we are not allowed to spend for we are told that this is the end.

When I watch the video I am touched by they way they play facing each other, in solidarity. They form three points of the compass with the fourth point vacant where Richey would have been.

 

 

Richey has remained missing. He was declared presumed dead in 2008.

The first time I remember listening closely to this song was on our honeymoon when we were staying in the Blue Mountains near Sydney. Jean was dozing and I was listening to the radio late at night and they were being interviewed. The band were friendly and lucid, keeping my attention while talking about Welsh music and playing live. A Design for Life came out of the radio and I sat fully focused on this amazing song coming out of the bedside clock radio. When I got back to Sydney I went out and bought their CDs.

I have a t-shirt of the band that says on the front “If you tolerate this your children will be next.” [From the song of the same name.] This is a quote from the Spanish Civil War, but I was once hassled for wearing it by a security man at Amazon.com. He wanted to know what I meant, and he was offended. Insecure people think it is criticizing whatever it is that they believe.

The MSP B-sides and cover versions are brilliant. For example, to show off their talent they released a cover of Rihanna’s Umbrella.

msp

Next: 1. Elvis Costello – Oliver’s Army

Previous:  3. You Am I – Berlin Chair

26
Aug
09

Sydney Morning Herald Decision Makers, Please Read This

Hello Sydney Morning Herald. I want you to know that page views are less important than user experience. Please read this article from Felix Salmon. Sample quote:

Auto-refresh, slideshows, cutting stories up into multiple pages — all of these tricks make reading content online that much less pleasant, and thereby cheapen the value provided to advertisers.

He’s talking about Forbes.com but you are equally poor. Why do you think that making me click ten times to read four stories is better for you than clicking four times? Each time I look through the home page it auto-refreshes. Your intrusive video ads make me curse the name of the advertiser and turn the sound off on my PC.

 

crop smh

 

I have read your site since it first went online, but my loyalty is tested when you screw with me in this way. I’m sure your page views are skyrocketing, but your site is heading towards junk mail.

Thanks to Ryan Holiday’s Delicious feed for highlighting Felix’s post.

25
Aug
09

3. You Am I – Berlin Chair

I’ll ignore each golden, dragging kiss you can give.
On the blankest face that you ever had to forgive.

The songs at this end of the countdown are so good, it is hard to write while they are playing since I’m so sucked in to the music. In the case of Berlin Chair I can’t type because I am headbanging. The top three are about the same in my mind. Each day they change their order, so this is a snapshot of how I feel today. You can consider this song number 1C.

I saw You Am I twice in Seattle back in the 90s and there’s a chain of events that led to me going to those gigs.

I was an unpaid intern at Microsoft in 1994. I volunteered for a few months to check out what living in Seattle would be like. I had enough money for the air ticket and living expenses, but I couldn’t afford a hotel so I slept on the floor of a friend I had known from Australia, Brian Murphy, and carpooled to work with him and carpooled home with whoever I knew that was leaving first.

One evening I was supposed to get a ride home from Microsoft back to Seattle with Iain and Phil. I was shopping at the local Sears store when I looked at my watch and saw that at that moment I was supposed to be meeting them. Instead of sitting in Iain’s car I was purchasing some nice American Levis to take back home to Australia. I called Iain to explain where I was. He answered, put me on speakerphone with Phil and they yelled “Spaz” at the phone while I came up with lame excuses as to why they had to drive out to Sears to pick me up. They have called me Spaz ever since.

I had written a feature for the old Microsoft website Sidewalk.com that searched through its database for new events that matched text you had entered into the site. I had put in “Australia” and every night my software would run and find all new events with “Australia” mentioned in them. It had no name at first so everybody called it “the mail program that Spaz wrote” and in time it was known as Spazmail.

sidewalk

One day Spazmail told me that You Am I were going to play in Seattle at the Crocodile Cafe. Yeah! I thought, and went to the gig with my buddy Kevin. This must have been the smallest show that You Am I had played since they were a shiny new band of kids. There were about thirty people in the audience and they were all hanging out at the back of the room. You Am I were supporting another band (The Tycoons, I think; that clip is from Public Access TV). Kevin and I moved close and watched You Am I from front and center with nobody around us, until a few of the timid Seattleites joined us later into the set when they realized that You Am I kicked bottom.

A couple of weeks later they returned to the Crocodile. This time word had leaked out how good they were and there was a decent audience. They headlined that night and played for longer, which was perfect. Tim Rogers hinted that he had a big dick and was looking for someone to communicate with when the gig was over. At least it was a little more subtle than Angelo Moore’s flashing. On You Am I’s next album there was a song called Arse-Kickin’ Lady From The North-West so I guess he found someone who kicked his arse.

 

 

I watch this video and go, “WTF? How in the world did they come up with this?” Get an old dude in a silver suit, ask him to dance to the song without practice (for he’s making it up as he goes), similarly with a girl in a flowing, too-short dress. The camera moves to the band in time for the instrumental part of the song so there’s no lip-synching. That is the best part of the video – the band rocks out. You can see Tim Rogers and Andy Kent check the monitor off-camera to the left and adjust their positions in the shot. Then they switch back to the man in silver. It is one strange video, but it works.

You can follow the chain of events further back – I went to Seattle because my PhD was funded by Microsoft, and I applied for that scholarship because a Professor I wanted to work with was hired by Microsoft and I knew that Professor because I worked at his previous university, and I went there because I knew the guy who ran the department because in the midst of an aus.flame war I mentioned my panoramic view of the Government Printing Office in Ultimo and it turned out he had the same view and lived about twenty meters away.

gpo

Without the NSW Government Printing Office I would not have seen You Am I in Seattle.

you am i

Next: 2. Manic Street Preachers – A Design for Life

Previous: 4. Beirut – Sunday Smile

24
Aug
09

4. Beirut – Sunday Smile

A Sunday smile, we wore it for a while.

Zach Condon isn’t a musician, he’s a master manipulator. While travelling in some forgotten part of Europe he discovered a tome of necromancy on triggering emotional responses in people with the power of music, then he wrote a couple of albums based upon these principles. On Sunday Smile he pushed all the varied emotional buttons at once.

Sunday Smile makes me sad. It makes me happy too. I smile while I’m crying. Each bar starts positive and ends negative, so I feel alternatively happy and sad every four beats and by the end of the song I need a cup of tea and a cookie. After much mental anguish I’ve accepted that it is OK to be messed up by music like Sigfried’s Funeral March but getting a little emotional over a song called “Sunday Smile” is just embarrassing. It is melodrama. It is  artificial; he’s just pushing my buttons. I hate him. Odi et amo.

orkestar

Why am I affected when this really is just pop music with horns? I’ve been sitting here listening to Sunday Smile on repeat, digging into my memories and coming up with mere fragments. Maybe it taps into a London childhood of fun fairs and candy floss. I ran around and discovered new things, and was happy with other people. Again I find sad music triggering lost childhood memories. Maybe it is something to do with the candy floss I ate last night?

Following a great musical tradition, Zach Condon steals music from other parts of the world and mutates it to his own ends. His first album, Gulag Orkestar, is a take on Eastern European folk bands – check out this trumpet extravaganza live performance for a song from the album. (I also love the cover photo by Sergey Chilikov.) His second album, The Flying Club Cup, is inspired by French music and contains Sunday Smile.

 

 

I like his warbling voice and the rowdy chorus singing, with both the voice and the horns a little behind the beat. It sounds like a drunk singing along to a carousel.

I love Beirut’s videos. They’re filmed on location and the song is there with all the variations of live performance. How simple, and how confident is that? Sunday Smile starts with a ukulele and an acoustic guitar, then Condon sings and an accordion joins in. As the song continues more members of the band join in. You can feel the spirit here, a community of musicians who know their instruments and their roles in the song. They don’t have to cluster together for support, they can stand alone in their corner of the garden and play.

flying

Next: 3. You Am I – Berlin Chair

Previous: 5. The Smiths – This Charming Man

20
Aug
09

5. The Smiths – This Charming Man

A punctured bicycle on a hillside desolate. Will Nature make a man of me yet?

It’s the mid-nineties, a Saturday evening and my roommates and I have a party to go to. I’m bouncing with anticipation. The party starts at eight, so we’ll arrive around eleven. First, we don’t want to hang out with the self-conscious punctual people and second, we get to watch The Late Show. We get there, everybody’s having a fine time so we party for a couple of hours and head out early because we’re bored and sleepy.

Looking back, it is obvious that we weren’t twenty-four hour party people, but the anticipation was fun. This is what This Charming Man means to me. I hear it and I want to put on a fancy shirt and go out and be seen for bit. Then I want to come home and go to bed before it gets too late.

Morrissey sings, “I would go out tonight but I haven’t got a stitch to wear,” and we know it is a show of resistance. After all, he’s being charmed by the handsome man who knows so much about these things. If he really didn’t want to get picked up he should have carried a repair kit to fix his punctured bicycle. I love his old school lyrics (“hillside desolate”), as though he hangs around romantic poets all day. The best part of his singing is when he doesn’t have the words to fill a line and he ‘woos’ instead: “Whoa whoa whoa whoa, this charming man.”

 

 

I’d never seen this video before, but it is good. Morrissey looks like you expect: his shirt is open, he’s twirling flowers and his hair is just huge. Johny Marr’s guitar also has flowers, but the stems and petals don’t affect his playing. Andy Rourke’s bass line is great, much like a James Jamerson line (e.g. the bass in You Can’t Hurry Love). I’m wondering if the Motown-reminiscent bass line is part of the reason the song has a big effect on me. I grew up listening to my Mum’s Motown records.

I could have put Morrissey in twice by including Last of the Famous International Playboys but I figured position number five was sufficient. He is a great songwriter, with or without Johnny Marr.

smiths

Next: 4. Beirut – Sunday Smile

Previous: 6. Madness – Night Boat to Cairo




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